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Allegra Handelsman
About
Selected Work
Poetry Nights
Contact
Allegra Handelsman
About
Selected Work
Poetry Nights
Contact
About
Selected Work
Poetry Nights
Contact

Articles

Inside The World’s Coolest – And Hardest-To-Get-Into – Singles’ Night - British Vogue

They’re Broke and Back at Home: Can Gen Z Have a Sex Life - The Times

Is Gen Z’s location-tracking app an invasion of privacy? - The Times

I wouldn’t date a man reading Catcher in the Rye - The Times

Why is this Japanese sexual practice soaring in popularity in London? - The Standard

Going Sober on London’s Party Scene - But Did People Just Find Me Boring - The Standard

Follow Suit: Marlene Dietrich - The Rake

Why I Started Writing Poetry - A Rabbit’s Foot

The Love Asylum: Cinema’s Erotic Obsessive Muse - A Rabbit’s Foot

Spice Up Your Biopic: where’s the remake we really really want? - A Rabbit’s Foot

The Hidden Politics of Fritz Lang’s Metropolis - A Rabbit’s Foot

The Many Seasons of the Witch - A Rabbit’s Foot

Diary of an It Girl: Allegra Handelsman Follows in the Footsteps of Her Idol, Jane Birkin, in Paris - Tatler

Allegra Handelsman extols the virtues of the West End’s Prince Charles Cinema - Tatler

How The Muse went from Being Mysterious to Being the Main Focus - Polyester

Selected Work

Interviews

Ira Sachs on Passages: “It’s a film without shame” - A Rabbit’s Foot

John Trengove’s Manodrome Takes Aim at the Intel Phenomenon - A Rabbit’s Foot

Marcelino Sambé: “Dancers are complex creatures - we’re artists” - A Rabbit’s Foot

© 2024 Allegra Handelsman